That's it. But before we dissect what, if anything, makes Jacob special, a word on Vine. It's easy for pre-millenials, post-graduates and pessimists alike to dismiss Vine as a medium, but just as long-form bloggers were wrong to decry Twitter as the death of journalism, so too are film buffs' concerns about the six-second phenomenon*. One needs to look no further than the works of Cool 3D World to see that this platform can, at its best, serve as a beacon for unbridled creativity:
This isn't about defending Vine, however. The point is that, like it or not, it's here to stay and it's where every fame-hungry pre-teen to adult will be heading to find easy fame from here on out. Just look at Nash Grier, the obnoxious, ice-eyed 18-year old "fuccboi" who just happens to be one of the most popular entertainers in the United States with a whopping 12 million followers. To put that in perspective, the The Walking Dead averages 19 million viewers weekly. And to put that in an even sadder perspective, Parks and Recreation averaged about half of Grier's follower count for most of it's run (are you still surprised Donald Trump is a serious presidential candidate in this country?). Our bafflement aside, Nash's brand is now reportedly worth $3 million and the homophobic tool is laughing his way to Hollywood proper with a (terrible looking) movie under his belt and more projects in the works.
To say that the bar for internet stardom - set by Justin Beiber becoming famous via YouTube performances - has been lowered is immaterial; in a world populated by Kardashians, Wests and their offspring, the talented and talentless are now desegregated. And while, yes, teenage girls were also obsessing over The Beatles much to the chagrin of their conservative parents, they were, you know, The Beatles after all and needed some merit to appear on Ed Sullivan lest they be stuck in the same crappy Hamburg bar, year after year. All Jacob Sartorius needs is a smartphone.
*Vine, not the author as a lover.
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